亚伦·本杰明·索金是美国编剧、导演、制片人和剧作家。索金出生于纽约市,从小就对写作产生了热情。他的作品包括百老汇戏剧《几个好人》、《法恩斯沃思发明》和《杀死一只知更鸟》;电视连续剧《体育之夜》、《西翼》、《日落大道60号演播室》等。
A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
音乐剧中的一首歌在角色必须唱歌时效果最好-言语不再奏效。 同样的想法适用于戏剧,电影或电视中的长篇演讲。 您想强制角色脱离对话模式。
And my friends, you ain't seen nothin' yet.
和我的朋友们,你还没看见。
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
我身体很强。 当我写作时,我在玩所有的部分。 我是说大声的线条,如果我对某件事感到兴奋-我写作时很少会发生这种情况,但是当我这样做时,这是最大的感觉-我会坐在椅子上走来走去