亚伦·鲁尔

    德里克·亚伦·鲁尔,美国导演兼摄影师。他因在独立电影《拿破仑炸药》中扮演基普·雷米特而最受认可。

亚伦·鲁尔(Aaron Ruell)名言

My introduction to the Madonna Inn came as a young boy when we would take summer vacations to a nearby town. My dad would take us into their gift shop bathroom, which was a huge waterfall that functioned as the men's urinal. So as a kid, this was the most amazing thing I had ever seen.

我对麦当娜旅馆的介绍是在小时候我们带一个暑假去附近城镇的时候。 我父亲带我们去他们的礼品店洗手间,那是一个巨大的瀑布,起着男人的小便池的作用。 因此,小时候,这是我见过的最神奇的事情。

亚伦·鲁尔

There are a lot of hardcore 'Napoleon' fans, and they do the research and find photos of what I look like when I'm not 'Kip-ified.' Those fans recognize me. It happens maybe once a week, where someone will come up to me and be, like, 'Dude, you're Kip.' And I'm, like, 'Yeah, my name's Aaron.'

有很多顽固的“拿破仑”粉丝,他们进行研究并找到我未被“ Kip化”时的样子的照片。 那些球迷认识我。 它可能每周发生一次,有人会来找我,就像“老兄,你是基普。 '我就像,'是的,我叫亚伦。 '

亚伦·鲁尔

It's just this little comedy about this group of guys, and their local hangout is a pool hall, and it's starting to get taken over by this big corporate, evil kind of guy. And it's just about them trying to save the day and their little pool hall in the process of it all. It's called 'Think Tank.'

这只是一群小家伙的喜剧,他们在当地的聚会场所是台球厅,并且开始被这个大公司,邪恶的家伙接管。 而这只是他们在整个过程中努力保存这一天和他们的小型泳池大厅而已。 它被称为“智囊团”。 '

亚伦·鲁尔

I like to mix pieces in my art direction from the '60s or the '40s and the '90s and present-day stuff. To me, that feels very real. When I go into people's houses, it's not all today.

我喜欢在60年代,40年代和90年代以及现在的作品中沿艺术方向混合作品。 对我来说,这感觉很真实。 当我走进人们的房屋时,今天还不是全部。

亚伦·鲁尔

If I do a certain number of ads, I have to do a personal project in between, just for my own sanity. I still consider myself a punk-rock kid.

如果我做一定数量的广告,则出于我自己的理智,我必须在两者之间做一个个人项目。 我仍然认为自己是个朋克摇滚小子。

亚伦·鲁尔

The mindset that I have on every project I take on is, 'How do I make this interesting enough for me to want to stop and look at it?' So in that regard, what I do behind the camera, whether it's still or motion picture, is the same.

我从事的每个项目的心态都是:“如何使这个有趣到足以让我想停下来看看? 因此,在这方面,无论是静止图像还是动态影像,我在相机后面所做的工作都是相同的。

亚伦·鲁尔

With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.

在担任导演的工作中,我进行了对话,摄影机移动和人物遮挡,以帮助为作品营造色调。 在摄影中,这些元素有些空洞,因此色调变得有些微妙,但仍然同样重要。

亚伦·鲁尔

I feel as if I've been fairly successful with maintaining a cohesive tone between the work I make as a photographer and as a director.

我觉得在摄影师和导演之间保持凝聚力是相当成功的。

亚伦·鲁尔