艾米·曼

　　艾米曼是一位美国歌手兼词曲作家。在20世纪80年代，曼恩是贝司手和“直到星期二”的主唱，并写了他们的十大单曲“Voices Carry”。1993年，她发行了她的首张个人专辑《Whatever》，此后又发行了许多专辑。1999年，曼恩为保罗·托马斯·安德森的电影《木兰花》的配乐录制歌曲。

艾米·曼(Aimee Mann)名言

The knock-out punch is always the one you never see coming.

淘汰赛拳头永远是您从未见过的拳头。

艾米·曼

For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.

对我来说，在讲一个虚构的故事中包含很多细节，然后将自己从故事中移开，这之间有一条很好的界线，所以这是不流血的，有点虚构。

艾米·曼

You know what, the drummer is my manager. He's busy. And I'm busy. I don't need the dough, though. But having said that, there's a limit to how much bad music I wanna play. I did it when I was young, and some of the music was OK, but it wasn't great.

你知道吗，鼓手是我的经理。他很忙我很忙不过我不需要面团。话虽如此，我想播放多少不良音乐是有极限的。我小时候就做过，有些音乐还可以，但是效果不佳。

艾米·曼

Listen, I'm out of this system, man, I'm out... I'm doing better than ever. I couldn't be more happy.

听着，我不在这个系统中，伙计，我不在了。。。我比以往任何时候都做得更好。我再开心不过了

艾米·曼

I didn't want to play these people any more songs and have them say that they weren't good enough. So my response was to just not be able to write anymore. I know that's not the healthiest of responses.

我不想再播放这些人的歌曲，而让他们说他们不够出色。所以我的回应是不再写了。我知道那不是最健康的回应。

艾米·曼

One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.

在过去的几年中，我真正克服的一件事是，要让事物看起来不舒服，而不是看起来不舒服。显然，在这项业务中，您必须应对许多挑战。

艾米·曼

It really doesn't matter to me what people say about me anymore.

对我而言，人们对我的评论真的不再重要。

艾米·曼

It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.

对于我而言，拥有良好的录音和良好的音乐并成为一部出色的电影的一部分，以及在音乐中以一种非常出色的方式使用它，对我来说更为重要。那很重要。您还想说的其他内容，我不在乎。