阿德里安·杨格

    阿德里安杨格是美国作曲家,编曲和音乐制作人在洛杉矶地区。他还是一名娱乐法教授,负责电影的编辑和评分。20世纪90年代末,杨格在一个乐队里演奏低音和键盘,在用MPC采样唱片后开始作曲。他很快就学会了演奏几种乐器和练习。

阿德里安·杨格(Adrian Younge)名言

I like golden-era hip-hop because they were recording on a 2-inch tape. There was dirty, raw sampling. It's nasty. It has a vibe to it.

我喜欢金色时代的嘻哈音乐,因为它们是用2英寸的磁带录制的。 有肮脏的原始采样。 真讨厌 它具有共鸣。

阿德里安·杨格

I started buying ill, obscure records, and then I saw Portishead and Air live, and my mouth was on the ground.

我开始购买病态,晦涩的唱片,然后看到Portishead和Air直播了,我的嘴在地上。

阿德里安·杨格

I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.

对于许多MC,我不能做太多的音乐演奏,因为他们不知道如何跟随我。 但是有了《恶灵之魂》,我可以走到任何地方,因为他们是音乐家-他们像音乐家一样说唱,他们演奏乐器和制作,因此他们得到了。

阿德里安·杨格

I'd never record digitally. It's not because its' a horrible way to record, it's just not the best way to record my music, because my music is rawer, darker and a little more nostalgic.

我永远不会进行数字记录。 这不是因为它是一种可怕的录制方式,也不是最好的录制我的音乐的方式,因为我的音乐更原始,更暗,更怀旧。

阿德里安·杨格

My music sounds different because the techniques are archaic, seeing as most people only record digitally.

我的音乐听起来有些不同,因为这些技术都是过时的,因为大多数人只能以数字方式录制。

阿德里安·杨格

To me, recording with live instruments and tape takes things back to an older sound that I like but that's still fresh.

对我来说,用现场乐器和录音带录音可以使声音恢复到我喜欢的较旧声音,但仍然很新鲜。

阿德里安·杨格

I've always been a big fan of Kendrick's, but it's different when you hear him on your own production.

我一直是肯德里克(Kendrick)的忠实拥护者,但是当您亲自听他演奏时,情况就不同了。

阿德里安·杨格

People like RZA and DJ Premier are really on the balcony to scope my musical theories. They also help me focus on making sure I make money, making sure I get the notoriety I should, just regular stuff that friends do when you're in the business. And to call them friends is amazing.

像RZA和DJ Premier这样的人真的在阳台上探讨我的音乐理论。 他们还帮助我专注于确保我能赚钱,确保我能得到应有的声誉,这只是朋友在公司开展业务时经常做的事情。 称他们为朋友真是太神奇了。

阿德里安·杨格