阿德里安·托明

    阿德里安·托明是美国当代漫画家。他最出名的是他的连环画系列视觉神经和他的插图在纽约客。

阿德里安·托明(Adrian Tomine)名言

I think the response I get to one 'New Yorker' cover outweighs five books that I publish.

我认为我对《纽约客》封面的反应超过了我出版的五本书。

阿德里安·托明

I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, and there's an audience for that.

我有时是漫画家,并且有观众,并且我有时是插画家,并且有观众。

阿德里安·托明

The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.

负责《纽约客》封面的美术编辑是弗朗索瓦斯·穆利(Francoise Mouly)。 她对漫画家的怪癖和个性非常熟悉,因此与她一起工作非常容易。

阿德里安·托明

For a lot of the time I was in Berkeley, I was single. I was living in a kind of collegiate apartment by myself - it was like a protracted summer vacation. So at least in hindsight, I have gloomy emotions attached to Berkeley, whereas I started coming to New York because I was dating someone, and it was very exciting and romantic.

在伯克利的很多时候,我都是单身。 我自己一个人住在一间大学公寓里,就像一个旷日持久的暑假。 因此,至少在事后看来,我对伯克利怀有悲观的情绪,而我因为与某人约会而开始来纽约,那是非常令人兴奋和浪漫的。

阿德里安·托明

The most impactful comics that I've read are the ones where the artists swung for the bleachers and tried to immerse you in their world.

我读过的最有影响力的漫画是艺术家们急忙向看台投身并试图将您沉浸在他们的世界中的那些漫画。

阿德里安·托明

I was just taking my sketchbook to Kinko's and making photocopies and hand-assembling them - folding them over and stapling them.

我只是将素描本带到Kinko的工作室,并进行影印和手工组装-将其折叠并装订。

阿德里安·托明

I've always published a range of responses to my work in the letters section of my comic book.

我一直在漫画书的“信件”部分中发表对我的工作的一系列回应。

阿德里安·托明

I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.

我认为艺术家在某个时候可能会变得挑衅,说观众是错误的,读者没有理解他们,他们将继续以自己的方式做,或者他们可以听取批评-

阿德里安·托明