亚当·温加德是美国电影导演、制片人、编剧、编辑、摄影师和作曲家。他以恐怖题材的作品而闻名，尤其是电影《你是下一个》、《客人》和《死亡笔记》。
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
我长大的这所房子建于19世纪，后院就像墓地。很自然，我成长在一个鬼和超自然的东西让我非常不安的环境中，因为我和我的兄弟们每天都在处理这些事情。
What's really scary about the original 'Blair Witch' is that it doesn't really answer any questions, so what makes that ending so scary is you walk out feeling dirty because you don't even know what happened. It feels wrong.
最初的“布莱尔女巫”真正让人害怕的是，它并没有真正回答任何问题，所以让结局如此可怕的是，你走出去时感觉脏兮兮的，因为你甚至不知道发生了什么。感觉不对。
A lot of people ask me, 'Are you going to do a sequel to 'The Guest' or 'You're Next?' - those movies weren't financially viable, so even though there are a lot of fans of it, it'd be a pretty small market we'd be appealing to. It's got to be a big hit for you to really justify that.
很多人问我，‘你是要拍《客串》的续集还是《你是下一个？’——这些电影在经济上并不可行，所以尽管有很多影迷，但我们还是会吸引一个相当小的市场。这对你来说是一个巨大的打击来证明这一点。
You can be precious about something like 'Blair Witch' and say, 'How dare you approach it as a sequel or remake' or whatever, but its legacy was so tarnished by 'Book of Shadows' that someone had to come in and do something in the spirit of the original.
你可以对像《布莱尔女巫》这样的东西很珍视，然后说，‘你怎么敢把它当作续集或翻拍品’或者别的什么，但是它的遗产被《阴影之书》玷污了，以至于有人不得不进来，按照原著的精神做些事情。