亚当·拉普

    亚当·拉普是美国小说家、剧作家、编剧、音乐家和电影导演。他的戏剧《红灯冬天》是2006年普利策奖的入围者。奖项:欧比奖特别引文奖(2006)

亚当·拉普(Adam Rapp)名言

I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.

我必须对自己的写作感到满意,所以我的很多东西都显得愚蠢或肮脏。 如果这些角色能让我开心,那么我觉得我可以处理更黑暗或更严重的东西。

亚当·拉普

I don't see a lot of movies that portray the East Village as well as I think they can.

我没有看到很多电影描绘东村,而且我认为他们能做到。

亚当·拉普

I like to write about teenagers because it's such an uncertain and dramatic time.

我喜欢写有关青少年的文章,因为这是一个充满不确定性和戏剧性的时期。

亚当·拉普

When you're poor, you don't want anyone to know you're poor.

当您贫穷时,您不希望任何人知道您贫穷。

亚当·拉普

I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.

我认为克服邪恶有一个复杂的副作用,因为我们将永远被它所改变。 我认为,在我们吸收了世界上的残酷待遇之后,这需要多年的生活,但同时也带给我们智慧和一点点恩典,希望有同情心。

亚当·拉普

I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.

我只喜欢与演员合作,也喜欢与作家,设计师合作。 我觉得我只是个讲故事的人,无论我戴导演帽还是剧作家帽都没关系。 我倾向于进入的房间相当民主,最好的主意是胜利。

亚当·拉普

I was born in Chicago, then I spent most of my youth in Joliet, Illinois which is about thirty minutes south, and I went to a military academy for high school in Wisconsin. Then I went to college, on a basketball scholarship to a small school in Iowa, so I'm like Mr. Midwest.

我出生在芝加哥,然后我大部分的青年时光都在向南约三十分钟的伊利诺伊州乔利埃特市度过,然后去了威斯康星州一所军事学校接受高中教育。 然后我上了大学,获得了爱荷华州一所小学校的篮球奖学金,所以我就像 中西部。

亚当·拉普

Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.

电影导演完善了我的剧院导演。 我认为当我第一次开始导演时,我的很多东西都是横向的。 我害怕让演员们退后一步,害怕使他们离舞台太远,而且我认为一旦我对电影做更多的事情,我就会对作曲更加感兴趣。

亚当·拉普