帕诺斯·科斯马托斯

    帕诺斯·科斯马托斯是一位出生于意大利的希腊裔加拿大电影导演和编剧。他以超越黑彩虹和曼迪而闻名。

帕诺斯·科斯马托斯(Panos Cosmatos)名言

I think what I was unconsciously expressing in 'Black Rainbow' was a very abstract and metaphorical grief, in the way I had suppressed my grief about my mother dying. In retrospect I realise I started writing 'Mandy' as a sort of antidote to that, to sort of express those emotions, to purge that grief.

我认为我在不知不觉中在“黑色彩虹”中表达的是一种非常抽象和隐喻的悲伤,就像我压抑自己对母亲垂死的悲伤一样. 回想起来,我意识到我开始写《曼迪》作为对此的解毒剂,用以表达那些情绪,消除悲伤.

帕诺斯·科斯马托斯

When I was a kid, I was obsessed with heavy metal, Van Halen, Motley Crue. The older I got, my tastes widened. I always felt an attraction to the attitudes of punk; also punk filmmakers, like Richard Kern.

小时候,我迷上了重金属Van Halen和Motley Crue. 我年纪大了,我的口味扩大了. 我一直觉得朋克的态度很吸引人. 还有朋克电影制片人,例如理查德·科恩(Richard Kern).

帕诺斯·科斯马托斯

A huge part of my writing process is listening to music as I write, almost creating an unofficial soundtrack to the film I'm working on, a sort of playlist. But the specific songs change rapidly as I write.

我写作过程中的很大一部分是在写作时听音乐,几乎为正在制作的电影创建了一个非官方的配乐,即一种播放列表. 但是随着我的写作,特定的歌曲变化很快.

帕诺斯·科斯马托斯

The idea of creating a quote-unquote 'retro' world isn't all that appealing to me by itself.

创建一个不加引号的“复古”世界的想法本身并不吸引我.

帕诺斯·科斯马托斯

Mandy' came from grief and depression. I wanted this to be an outward volcanic expulsion of the emotion of my first film.

Mandy'来自悲伤和沮丧. 我希望这是对我的第一部电影的情感的向外喷发.

帕诺斯·科斯马托斯

Being compared to 'The Rocky Horror Picture Show' is a huge compliment.

与“ The Rocky Horror Picture Show”相比,这是一个巨大的赞美.

帕诺斯·科斯马托斯

A lot of films mistake convolutedness for complexity. To me, a simple story can be a powerful spine to build around.

许多电影将复杂性误认为是令人费解的. 对我来说,一个简单的故事可以成为强大的支柱.

帕诺斯·科斯马托斯

My mother died in 1997 and I spiralled into this self-destructive vortex of trying to annihilate my consciousness. I was afraid to face the grief of losing her, because she was somebody I loved more than anybody else in the world.

我的母亲于1997年去世,我陷入了自我毁灭的漩涡,试图消灭我的意识. 我很害怕失去她,因为我比世界上其他任何人都更爱她.

帕诺斯·科斯马托斯