亚当·比奇是加拿大土著演员。他最出名的角色是《烟雾信号》中的维克托,弗兰克·芬克斯波特在《舞我在外》,汤米·安·沃克,德克萨斯州游骑兵,乔·迪特中的基金翼,美国海军陆战队下士艾拉·海耶斯在《我们的父亲的旗帜》中,列兵本·雅泽在《风语者》中,查尔斯·伊斯特曼博士在《把我的心埋在受伤的克内》。
With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
有了“烟雾信号”,角色就像我长大一样。 我失去了父母,我希望我有机会找出他们在哪里。 所以我在反思自己的成长方式,那种被遗弃的感觉。 整部电影都是我一直忍不住对自己保持的现实。
Some people look for a certain structure in their lives that they're comfortable with. People who work hard on the road as truckers, people who work hard using their hands. Then there are people who are fortunate enough to have my life, people who play these characters who embody these qualities.
有些人在生活中寻找自己喜欢的某种结构。 在卡车上努力工作的人们,用双手努力工作的人们。 还有一些人幸运地拥有了我的生活,扮演这些角色并体现这些品质的人们。
I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
我在上高中。 我和我的几个朋友决定我们必须一起上课,我们可以四处闲逛,而戏剧是因为我们会即兴创作,互相殴打。 一年后,他们离开了,我留在那儿并对此有所了解,并享受了整个过程。