阿巴斯·基亚罗斯塔米

    阿巴斯·基亚罗斯塔米是伊朗电影导演、编剧、诗人、摄影师和电影制片人。Kiarostami自1970年以来一直是一名活跃的电影制作人,参与了40多部电影的制作,包括短片和纪录片。Kiarostami导演的科克三部曲,特写,风将载着我们,和品尝中国的味道获得了评论界的赞誉。

阿巴斯·基亚罗斯塔米(Abbas Kiarostami)名言

Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end - I never do.

每个人都知道我通常没有足够的耐心坐下来从头到尾看我自己的一部电影——我从来没有这样做过。

阿巴斯·基亚罗斯塔米

I am a citizen of the world.

我是世界公民。

阿巴斯·基亚罗斯塔米

I never really learned photography.

我从未真正学会摄影。

阿巴斯·基亚罗斯塔米

I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.

比起城市,我更喜欢农村。我的电影也是如此:我在农村社会和乡村拍的电影比在城镇拍的多。

阿巴斯·基亚罗斯塔米

Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.

数字摄影,顾名思义,是未完成的。你不会觉得每拍完24或36张照片你就得换一部电影——你知道如果你想的话,你可以一直拍下去。你可以立即看到结果,并找出你原来的想法是否值得继续下去,是否可以纠正,是否可以改进。

阿巴斯·基亚罗斯塔米

If you catch me coming out of a film, when I'm emotionally involved, I can tell you at that moment why I like it - but to talk about it years later is not logical to me.

如果你看到我从一部电影中走出来,当我沉浸在情感中时,我可以在那一刻告诉你我为什么喜欢它——但多年后再谈论它对我来说是不合逻辑的。

阿巴斯·基亚罗斯塔米

Usually when I write a script, I have in mind some real people that I'm writing about, who don't always act in the film afterward.

通常当我写剧本的时候,我会想到一些我正在写的真实的人,他们并不总是在之后的电影中表演。

阿巴斯·基亚罗斯塔米

I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.

我在自然环境中拍摄正常的生活题材,有些人会认为这是不符合性别的。但我想展示的是自然本身,作为生命的真理。

阿巴斯·基亚罗斯塔米