汗是印度电影中最著名的舞蹈家、舞蹈家。她在80多部印地语电影中为一百多首歌曲编舞了舞蹈套路，获得了六项最佳编舞奖和最佳编舞奖。
I like to entertain all kinds of audiences with my films.
我喜欢用我的电影娱乐各种各样的观众。
Every person on Twitter is a critic. Every person who watches a movie will write a blog or a review. You can't go out trying to impress these people.
Twitter上的每个人都是一个批评家。每一个看电影的人都会写博客或评论。你不能出去想给这些人留下深刻印象。
I've always been told that because of 'Main Hoon Na,' a lot of female filmmakers have come up but I maintain that direction is a ‘genderless' job.
我一直被告知，因为《主勋娜》，很多女性电影人都出现了，但我坚持认为这个方向是一个“无性别”的工作。
It takes two years to make a good film.
拍一部好电影需要两年的时间。
After 'Main Hoon Na,' I got married; so I took some time off.
在《主勋娜》之后，我结婚了；所以我请假了。
I always say that I'm a filmmaker, not a factory. I don't have to churn out films every six months.
我总是说我是电影人，不是工厂。我不必每六个月就制作一部电影。
I always feel your movie will be as strong as your weakest link.
我总觉得你的电影会像你最薄弱的环节一样强大。
When I became a choreographer, I was not assisting any choreographer. I was assisting the director Mansoor Ali Khan for 'Jo Jeeta Wohi Sikandar.' I was the fourth assistant director.
当我成为一名编舞时，我并没有协助任何编舞。我在协助导演曼苏尔·阿里·汗（Mansoor Ali Khan）拍摄《Jo Jeeta Wohi Sikandar》，我是第四位助理导演。