艾米·曼

    艾米曼是一位美国歌手兼词曲作家。在20世纪80年代,曼恩是贝司手和“直到星期二”的主唱,并写了他们的十大单曲“Voices Carry”。1993年,她发行了她的首张个人专辑《Whatever》,此后又发行了许多专辑。1999年,曼恩为保罗·托马斯·安德森的电影《木兰花》的配乐录制歌曲。

艾米·曼(Aimee Mann)名言

The knock-out punch is always the one you never see coming.

你永远看不到的就是那一拳。

艾米·曼

For me, there's a fine line between telling a story that's fictional with lots of details and then removing yourself too much from it, so it's bloodless, a little too fictional.

对我来说,讲一个有很多细节的虚构故事和把自己从故事中抹去太多之间有一条很好的界限,所以这是不流血的,有点太虚构了。

艾米·曼

You know what, the drummer is my manager. He's busy. And I'm busy. I don't need the dough, though. But having said that, there's a limit to how much bad music I wanna play. I did it when I was young, and some of the music was OK, but it wasn't great.

你知道吗,鼓手是我的经理。他很忙。我很忙。不过,我不需要钱。但话说回来,我想演奏多少糟糕的音乐是有限度的。我年轻的时候就做过,有些音乐还可以,但不太好。

艾米·曼

Listen, I'm out of this system, man, I'm out... I'm doing better than ever. I couldn't be more happy.

听着,我退出了这个系统,伙计,我退出了。。。我做得比以前更好了。我再高兴不过了。

艾米·曼

I didn't want to play these people any more songs and have them say that they weren't good enough. So my response was to just not be able to write anymore. I know that's not the healthiest of responses.

我不想再演奏这些人的歌,让他们说他们不够好。所以我的反应就是不能再写了。我知道这不是最健康的回答。

艾米·曼

One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.

在过去的几年里,我真正经历过的一件事是,让自己不舒服的是事物出现的方式,而不是事物的现状。很明显,在这个行业里,你必须面对很多这样的问题。

艾米·曼

It really doesn't matter to me what people say about me anymore.

人们对我的评价对我来说真的不重要了。

艾米·曼

It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.

对我来说,更重要的是要有一张好的唱片,有好的音乐,能成为一部好电影的一部分,音乐在电影中得到了很好的运用。这才是最重要的。你想说的其他事情,我不在乎。

艾米·曼