阿德里安·杨格

    阿德里安杨格是美国作曲家,编曲和音乐制作人在洛杉矶地区。他还是一名娱乐法教授,负责电影的编辑和评分。20世纪90年代末,杨格在一个乐队里演奏低音和键盘,在用MPC采样唱片后开始作曲。他很快就学会了演奏几种乐器和练习。

阿德里安·杨格(Adrian Younge)名言

I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.

我什么都不做数码的。一切都是模拟的,这对我来说是一个限制。然而,在我的世界里,这根本不是一个限制,因为我没有创造出一般由与数字录音室和/或数字设备合作的音乐家创作的音乐类型,就制作而言。

阿德里安·杨格

Change the sound. Make people rethink what they're doing. That's what I really wanna do.

改变声音。让人们重新思考他们在做什么。这就是我真正想做的。

阿德里安·杨格

I love how music can create an audiovisual experience. To me, some of the best music is the music that does that.

我喜欢音乐如何创造视听体验。对我来说,一些最好的音乐就是这样的音乐。

阿德里安·杨格

As me being somebody that makes arguably nostalgic music, I cannot stand when somebody tries to make old music just to sound old.

作为一个可以说是怀旧音乐的人,我无法忍受当有人试图让旧音乐听起来很旧。

阿德里安·杨格

When I did 'Venice Dawn,' there were times where people would cry after listening to it.

当我拍《威尼斯黎明》时,有很多时候人们听了会哭。

阿德里安·杨格

I'm a film composer, but I'm a hip-hop guy.

我是个电影作曲家,但我是个嘻哈歌手。

阿德里安·杨格

Generally, as a composer, it's perceived as an employer-employee relationship.

一般来说,作为一个作曲家,它被视为一种雇主与雇员的关系。

阿德里安·杨格

We love high-end art, but when you're looking at high-end art in music, a lot of the time, it's appreciated academically, but you can't feel it as much.

我们热爱高端艺术,但当你在音乐中看到高端艺术时,很多时候,它在学术上受到赞赏,但你感受不到那么多。

阿德里安·杨格