阿德里安·托明

    阿德里安·托明是美国当代漫画家。他最出名的是他的连环画系列视觉神经和他的插图在纽约客。

阿德里安·托明(Adrian Tomine)名言

When I'm sitting at my drafting table in my studio, I could really be anywhere.

当我坐在工作室的绘图桌旁时,我真的可以在任何地方。

阿德里安·托明

On a very basic, concrete level, there have been times when my work, regardless of the content, has harmed relationships because I made that work such a primary priority in my life.

在一个非常基本的、具体的层面上,有时我的工作,不管内容如何,都会损害人际关系,因为我把工作作为我生活中的首要任务。

阿德里安·托明

I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.

我从来没有想过自己是一个亚裔漫画家,就像我认为自己是一个戴眼镜的漫画家一样。

阿德里安·托明

Readers often bring a different set of criteria to the work based on the format.

读者通常会根据作品的格式给作品带来一套不同的标准。

阿德里安·托明

Fortunately, I've never had to be too critical of my own work, because the world is critical enough.

幸运的是,我从不需要对自己的工作过于挑剔,因为这个世界已经足够挑剔了。

阿德里安·托明

There's never been a moment where I sat down at my drawing board and thought, 'I'm a pro!'

从来没有一次我坐在画板前想,‘我是专业人士!’

阿德里安·托明

I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.

我根本不接活干。如果是一些还在进行中的事情,我有机会对材料进行一些编辑,或者考虑一下顺序,诸如此类的小事情,我会把这些故事放在手边,仔细看一遍。但一旦它以书的形式存在,它就被锁在保险库里,我把它放在身后。

阿德里安·托明

I had relatives who would go to Japan and bring back random stuff they bought at the airport or whatever - 'Ultraman' and 'Speed Racer,' stuff like that.

我有亲戚会去日本,把他们在机场买的东西随便带回来,比如“奥特曼”和“极速赛车”之类的东西。

阿德里安·托明