芭芭拉·克鲁格

    芭芭拉克鲁格是一位美国概念艺术家和拼贴艺术家与图片的一代。她的大部分作品都是黑白照片,上面覆盖着说明性的标题,用白色在红色Futura粗体斜体或Helvetica超浓缩文本上陈述。

芭芭拉·克鲁格(Barbara Kruger)名言

I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.

我认为艺术仍然是抵抗和讲述各种故事的场所,用来验证我们通常忽略的某些主观。我试图变得情感化,建议改变,并抵制我所感受到的在一定程度上的社会生活的暴政。

芭芭拉·克鲁格

Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.

突出是很酷的,但当妄想开始的时候,它可能是一个拖累。尤其是当你选择和朋友而不是助手在一起时。

芭芭拉·克鲁格

I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

我正在尝试处理有关历史、名望、传闻以及如何构建公众身份的想法。

芭芭拉·克鲁格

I'm living my life, not buying a lifestyle.

我在过我的生活,而不是买一种生活方式。

芭芭拉·克鲁格

Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.

看不再是相信。真理的概念已经陷入危机。在一个充满图像的世界里,我们终于明白了照片确实是谎言。

芭芭拉·克鲁格

Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.

你知道为什么语言会在我的作品中表现出来吗?这是因为我知道注意力持续时间短。

芭芭拉·克鲁格

I like suggesting that 'we are slaves to the objects around us,' that 'plenty should be enough,' or that the 'buyer should beware,' within the context of conventional selling space.

我喜欢在传统销售空间的背景下,提出“我们是周围物品的奴隶”、“充足就足够了”或“买家应该小心”。

芭芭拉·克鲁格

I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.

我试图处理权力和社会生活的复杂性,但就视觉呈现而言,我有意避免高度困难。

芭芭拉·克鲁格