奥斯卡·芬格尔·奥弗莱赫蒂·威尔德是一位爱尔兰诗人和剧作家。在19世纪80年代以不同的形式写作之后，19世纪90年代初，他成为伦敦最受欢迎的剧作家之一。他以警句和戏剧、小说《多里安·格雷的画像》以及因严重猥亵罪被定罪的情节而被人们记住。
'The Lady's World' should be made the recognized organ for the expression of women's opinions on all subjects of literature, art and modern life, and yet it should be a magazine that men could read with pleasure.
《淑女世界》应该成为公认的表达女性对文学、艺术和现代生活各方面观点的工具，但它应该是一本让男性能够愉快阅读的杂志。
I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
我认为任何一个艺术家对一个年轻人的强烈崇拜和热爱都是天经地义的。这几乎是每个艺术家生活中的一件大事。
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
所有好艺术的标志不是做的事情是准确或精细的，因为机械可以做的也一样多，而是用头脑和工人的心来完成。
Writing bores me so.
写作使我厌烦。
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
对年轻的艺术家来说，没有什么比任何理想美的概念更危险的了：他总是被理想美的概念牵着鼻子走，要么被它牵着鼻子走，要么被它牵着鼻子走，要么被它牵着走，要么被它牵着走，要么被它牵着走，要么被它牵着走，要么被它牵着走。
To expect the unexpected shows a thoroughly modern intellect.
预料不到的事显示出一种完全现代的才智。
One of the many lessons that one learns in prison is, that things are what they are and will be what they will be.
一个人在监狱里学到的许多教训之一就是，事情就是这样，将来也会这样。
Ordinary riches can be stolen; real riches cannot. In your soul are infinitely precious things that cannot be taken from you.
普通的财富可以被偷走；真正的财富是不可能的。在你的灵魂里有无限珍贵的东西，不能从你身上夺走。