阿比·摩根

    阿比盖尔·路易丝·摩根·奥贝是一位威尔士剧作家和编剧,她的电视作品包括《性交通》和《小时》,以及电影《布里克·莱恩》、《铁娘子》、《羞耻心》和《女权主义者》。奖项:黄金时间艾美奖、·英国奥斯卡电视奖。

阿比·摩根(Abi Morgan)名言

All work is a process of failure. Every single thing I write, I look at it and go, 'Do better. That's not good enough. Do better.' And so, that keeps me up at night.

所有的工作都是失败的过程。我写的每一件事,我都看着它,然后说,‘做得更好。这还不够好。所以,这让我夜不能寐。

阿比·摩根

I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.

我写剧本的速度相当快——一个草稿要花两个星期——但我写了很多草稿。我最重要的是我不会重读。当我写作时,我从不重读。我会把它寄出去,因为如果我重读一遍,它会使我瘫痪。

阿比·摩根

Cornelia Parker has inspired a lot of my theatre work. Her art is about points of impact: it's poetic but with a strong literal story.

科妮莉亚·帕克启发了我很多戏剧作品。她的艺术是关于影响点:这是诗意的,但与一个强大的文字故事。

阿比·摩根

I had a huge interior world as a kid: I'd sit on endless wet holidays in Cornwall playing with paper dolls.

小时候,我有一个巨大的内心世界:在康沃尔度过的无尽的潮湿假期里,我坐在那里玩纸娃娃。

阿比·摩根

Plays are the marathon of scriptwriting. You fix on a point somewhere in the middle distance, and you start running, and you don't stop until you get to the end. The theory is that you have something you cannot not say: this is the engine that propels you through to the last page.

戏剧是剧本创作的马拉松。你在中距离的某个地方固定一个点,然后你开始跑步,直到你到达终点才停下来。理论上说,你有不能说的话:这是推动你进入最后一页的引擎。

阿比·摩根

Plays are painful. But the very act of writing is a basic freedom denied some women. Some would call it a privilege. So what's a little pain?

戏剧是痛苦的。但写作本身就是一种基本的自由,有些女性被剥夺了。有人会称之为特权。有点痛是什么意思?

阿比·摩根

I still always think the greatest moment for me, as a writer, is when I press that button and send the first draft of the script.

作为一个作家,我仍然认为最伟大的时刻是当我按下那个按钮并发送剧本的初稿时。

阿比·摩根

I think, in some ways, there's a point as a television writer that 'executive producer' is the natural credit you get, and it can be a vanity title, or you can make of it what you want.

我认为,在某些方面,作为一个电视作家,有一点是,“执行制片人”是你得到的自然功劳,它可以是虚荣头衔,或者你可以随心所欲地去做。

阿比·摩根